Backdrops come in so many styles and types that it can be downright confusing when trying to find that perfect match for your next shoot. No one has time to try every backdrop during a shoot, so developing a good instinct for the right style and material, whether in the studio or on location, is a skill every photographer should learn.
In this article we'll be discussing the differences between each of the 3 Savage seamless white paper colors along with different light setups and side by side examples of each. This should help you decide how to pick the right white seamless paper for the job and how to setup your lights for different effects.
Photography backdrops vary in style, size, shape and color. Understanding the basics of each type of background can seem quite intimidating. Of all the choices, the beauty of a canvas backdrop cannot be matched. From their unique coloring and patterns to their long life and versatile usage, they’re great for the amateur or pro photographer.
Savage Universal offers a unique backdrop called Translum that gives photographers perhaps the most useful material available for making white backdrops. That’s because Translum not only works great in this regard but also happens to be a photographer’s best friend when it comes to transforming light.
While there are many inexpensive substitutes to a studio backdrop such as a bed sheet or plain wall, you will soon discover that “you get what you pay for”, and that using a nice solid photo backdrop is a great idea irrespective of your desire to cut costs.
Go into your studio. Take a look down at your feet. Now go a few inches farther down and take a good look at the floor. It’s probably dirty, and no amount of cleaning is going to make it look any better than it is now. Don't worry, there is a solution, especially if you’re going to create something beside your standard backdrop: Floor Drops.
The three most important considerations with green screen photography are the size of the object you’re photographing, the location of your shoot and the choice and size of the green screen backdrop.
Photographers are slaves to the elements. Yet there's no predicting when you'll need that perfect setting that you've scouted in nicer weather, such as a ramshackle building with a worn concrete floor and old wood walls. Or a grassy football field for making portraits of athletes. The solution is to re-create a location in the studio using realistic floor drops.
For the photographer looking for durability and cost-savings, vinyl backdrops are the way to go. Although vinyl backdrops can withstand the test of a busy, hi-volume studio, storing and caring for them is still needed.
Once only the realm of big-budget Hollywood productions such as ET, green screen (or chroma key) technology is now available to all. Any business or budding filmmaker can create amazing corporate videos or digital shorts. But how do you decide which color to use? It’s a snap once you master a few basics.
Seamless paper: everybody’s got it and everyone has an opinion about it. We scanned the internet to curate what your peers are saying about this staple of every studio.
However you wind up using them, collapsible backdrops belong as one of the top ten essential tools you absolutely must have at your disposal at all times as a photographer, indoors or out, and they’re easy to use.
Admit it photo geeks! When you look at a photograph of a model you don’t always zero in on how the shot was composed, nor the model’s eyes. You inspect the backdrop. You check its texture, color, how it was lit, and how well it complements the model. At least I do, because that’s what I look for during the creative process while shooting.
Why does color evoke such a strong opinion? Color is an integral part of our visual language. We react to color subconsciously and form strong emotional responses before we even realize it.
Muslin backdrops are kind of the Rodney Dangerfields of the photography industry. Like the dear departed comedian, they often don’t get much respect. And, they have a similar world-worn, beat-up look to them (at least most of them do). But these aren’t necessarily bad things.
I used to use bed sheets, brick walls, apartment walls, basically anything I could find that would make a suitable background. Then, one day I got a photo studio, with high ceilings, auto-poles and three different colors of paper backdrops. I never used a bed sheet again!
Do you absolutely need to use a green screen? Absolutely not! If you don’t have a chromakey setup, no green screen, or blue one for that matter, there are ways of working with what you already have. Black, gray, and even white seamless backdrops are a popular alternative to green screens for digital still photography.
Clients most often request photography services around special events in their lives. New family members, birthdays, weddings, and other milestones are important to document to preserve memories, emotions and special times. Here are 5 special occasions Savage's new line of Printed Background Paper can come in handy.
The new Savage Economy Background Kit fit all my requirements for a studio background setup. Designed for photographers who want a professional look that won’t break the bank, the Economy Background Kit is a great choice for students, part-time photographers, and anyone starting out in portraiture. I was excited to see what this new offering could do for my photography.
Savage Seamless Paper is available in 68 beautiful and diverse styles! See what colorful paper backdrops can bring to your portraits with a simple, clean tone, or a bold and fierce effect. See Full Photo Gallery >>